The Legacy of an Artist
Following the tragic loss of collaborative artist and friend Tracey Meek at the end of November, we have been compelled to create some form of tribute to the impact of her work.
The Thortify team had the privilege of working with Tracey on our Arts Council-funded project The Art of Self Care. This funding helped springboard our initiative to promote well-being through art practices back in 2022, and gave us the opportunity to commission work by three different artists. Tracey was one of these talented humans.
Tracey’s brief was to respond to and create artwork to help manage the symptoms of anxiety, based on ‘Coping Theory’ . Her inspiring artwork was then used to illustrate and accompany the workbook we wrote together as a self-care support tool.
“It was an absolute honour to be asked to get involved in this lovely project. I’ve been asked to explore Lazarus and Folkman’s 1984 ‘Coping Theory’ and how tangible objects can ground us in moments of worry or stress. I’ve been getting stuck in over the past couple of days and I began creating my first grounding totem(s).”
Her response was breathtaking. She sent across detailed and inspiring sketches of her ideas and they lit sparks of joyful creativity within us. The object she planned to form (in clay) was small, smooth and pebble-like. She wanted to make something that could sit comfortably in the palm, and soothe.
“This process reminded me of when my daughter didn’t want me to leave her at school, she would get so upset, so I gave her a little object to hold onto. I don’t even remember where I got it from but I remember thinking it felt nice, I think maybe I used it myself in interviews. It was a small pebble with a shamrock or some kind of picture on the top.”
It was clear to us that this was a collaboration the universe conspired to make happen. It truly was magical. Tracey’s sensitivity and highly tuned emotional intelligence shone from each of her playful drawings.
“It was smooth to the touch and there was a kind of ridge around the shamrock and I remember thinking it would help her. I didn’t even know about this theory then, but it seems I was already using it.” (Tracey Meek — 2022)
It is the artists among us that notice these nuances; tiny pinpricks in life that others miss. They lead us to explore, be adventurous, and are what contribute to the simple joy of living.
As we readied ourselves for our soft opening on December 14th, Lauren curated a small exhibition of all three of our commissioned artist’s work in the newly built artist workspaces we completed a few weeks ago. Until the new occupants move in to this purpose-built communal space, we will be showing it off in as many ways as we can.
I stood by the desk in the corner last week, where Lauren placed Tracey’s artwork before we heard the sad news. There is something about the way the daylight enters that space that causes it to bounce off the brilliant white walls and diffuse into an ethereal haze.
Picking up each totem, I felt its weight and its presence. As I ran a fingertip over ridges and rattled tiny fragments of dried clay concealed inside, I thought about how Tracey’s delicate fingers had moulded each one within the warmth of her skilfull hands.
These objects crafted with love and care symbolise the last living connection with our artist friend. Now much more than pieces of beautiful art to delight us, they are our treasure.
Mr Urb made the sectioned box we displayed Tracey’s totems in at our first exhibition, and it protects them well. The deep sides keep them from falling out and the black felt background provides a strong contrast to the pastels and brights Tracey used to accentuate the textural parts.
We were planning to collaborate again with Tracey, and display elements from her Isolation Art Mail lockdown project in our new exhibition space. Right now though, we feel we need to allow her family and closest friends time and space to navigate the initial raw stages of grief.
I am sure we will find many ways to celebrate the legacy of a life led through curious creativity. Tracey made a great impression on us and we have spoken with others about the connections they made with her engaging artwork too. We will be sure to continue to share her work with the world.
Could it be that we pocket pebbles on the beach because they are pretty? Or is it because they feel nice in our hands?
Are we seeking ways to ground ourselves in some way when we pick up a pebble, twig or leaf? Are we just noticing the interrelationship of everything… ?
We hope you enjoy some restorative relaxation time this festive season. We look forward to catching up with you in the new year - we’ve big plans to share!
Bees & love
Debra Thortify